June 16, 2008 Seattle:Porter Recording Project; 2 of 4
June 16, 2008: Bastyr University: Recording Venue
We arrive at the recording venue at Bastyr University around 11:40 a.m. and meet David Sabee, the contractor/engineer. Turns out he also plays cello, composes, arranges and conducts, a real renaissance man of music. I’m sure I left out half the things he can do. The chapel is shoe box shaped with very high ceilings and beautiful stained glass windows. It’s a decommissioned church, but all the religious icons remain. The stations of the cross are beautifully illustrated along the sides of the chapel. The recording team continues to set up as I warm up and go over key sections of the concerto. Later, John joins me to review transitions. It’s a nice set up at Bastyr. Rehearsing alone, the sound is clear, warm, and not at all boomy as one would expect with a large chapel.
We eat lunch with Sabee at the vegetarian cafeteria. This is good because yesterday I had a rich dinner of sea scallops and half of Marina’s German chocolate cake. I find out more about Bastyr. The campus used to belong to the Catholic Church before being sold. Bastyr is a natural health sciences university, considered one of the best of its kind. One day a year, the senior class hosts meat day, which is very popular and supports the senior class trip.
Madonna of Bastyr Chapel
Posted by Eliesha on June 20th, 2008 filed in Quincy Porter Project, Recording, Viola Technique and Music


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